APN was lucky enough to cop hold of the LCT 540 SubZero and the LCT 940 Authentica from Lewitt
The Lynx Aurora(n) is a vital component for today’s Home-Pro Engineer. APN takes a gander…
There are certain microphones out there where the mere mention of their name inspires awe – is the new Roswell Delphos going to be one of them?
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Does Serpent Audio’s Splice MKII SA76-500 live up to the quality standards set by the original and legendary 1176LN?
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Thrill Kontakt Library Review
KONTAKT LIBRARYREVIEW November 14, 2017 0
THRILL is a digital instrument library for creating & performing escalating soundscapes & atmospheres.
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The Killers released their fifth studio album, ‘Wonderful Wonderful’ today…
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Is the new ELI Arousor the must-have plugin compressor for studio’s around the world, like it’s hardware cousin, the Distressor? APN finds out
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Arturia’s new Keylab Essential MIDI controllers destroy the notion that the words ‘budget’ and ‘pro’ are mutually exclusive.
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APN’s Michael Frasinelli takes a look at the celebrated Revoice Pro 3 pitch and timing correction software
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The emulation masters at Brainworx and Plugin Alliance have just released both E and G series SSL channel strips
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The celebrated six piece band from Montreal, Quebec, have just released their fifth, full length studio album on Columbia records entitled Everything Now. Read our review.
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Cobalt is an extraordinary bundle of mastering grade plugins from Acustica Audio. Michael Frasinelli breaks it all the way down.
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What do you get when you pair a modern jack of all trades delay with the modular fx sections found in something like a Moog Voyager? Joel Gragg finds out.
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Soundiron Bontastic! Review
KONTAKT LIBRARYREVIEW July 2, 2017 5
Soundiron’s Bontastic! Vintage Organ Series is modeled after the Bontempi B4 Electronic Table organ. Bontastic! offers two instruments, a chord organ and ambience.
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Bone Thugs Release “New Waves”
FEATURESMUSICMUSIC REVIEWREVIEW June 23, 2017 1
The problem with most plugin emulations is that, like a pair of tight, pink, zebra print, lycra leggings they are not subtle like real tape actually is. Softube’s new tape plugin is the opposite.
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With ‘edc’ upon us, Nexus is now in it’s seventh year and second incarnation. Does the original EDM bruiser still have the juice?
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UK developers LiquidSonics have long been held in high regard for their excellent convolution plugin Reverberate. For 2017 though, they decided to offer something new and very special – a Bricasti M7 replica.
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VPS Avenger Expansions Review
EXPANSIONSREVIEWSOFTWARE June 2, 2017 0
You can always trust Vengeance-sound to spoil you for choice when it comes to sound banks or expansion packs for their vsti’s. Here are the seven XPs for Avenger.
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the 354e looks like it could be a dream prescription for the ITB Mastering community. A multiband, mid/side capable, sidechain HPF featured, mix knob equipped, 3 compression mode monster of a compressor plugin.
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Applied Acoustics (AAS) have really done something quite unique with their release of the modeling based Objeq Delay plug-in.
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The original SSL uses quad VCA chips per channel in parallel, plus two in sidechain. It also had DBX 202 VCA chips, the best VCAs of their time – but times have changed…
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Black Rooster Audio’s SC-5 VCA compressor pays homage to the 70’s version of Ashly’s SC-50 Blueface compressor which has long been coveted by engineers for its versatility and unique musicality.
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The Fender Rhodes piano must be right up there as one of the most emulated instruments in the history of electronic music. Enter the Scarbee Classic EP-88s…
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The TNT Voice Executor can’t get much easier. You open it up, and choose from a variety of 35 predetermined presets under four categories: Rap, Vocals, Speech, and Special.
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No synth in history has been more widely used, abused, poked, prodded, copied, cloned or imitated than the venerable Minimoog Model D.
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Black Rooster Audio’s VEQ-5 is faithfully modeled after the legendary Pultec MEQ-5 Program Equalizer. Unlike its full range sibling the Pultec EQP-1A,. It’s an excellent choice for guitars, (acoustic and electric) vocals, upright bass and snare, as well as any other instrument occupying that sonic space.
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